Last week there was a bit of a controversy involving Gaborey Sidibe. The powers that be over at Vogue said they will not be featuring the rookie actress in any issue as she is “too fat.” This caused some outrage and controversy. In addition Howard Stern came under fire for saying that she is not part of Hollywood and will vanish pretty quick because of her weight. As much as I hate to do so, I have to defend those two entities. I have to tell you Vogue is 100% correct in their actions and Howie, is probably right.
I have to start by saying I am not a vogue subscriber. I don’t read the publication. I have thumbed through it but only as any other man does, to look at pretty ladies and hope for a glimpse of boob. In addition I am no fan of the fashion industry. I have worked indirectly in the industry and I have to tell you the stereotype of the shallow fashionista is based very much in fact. Many (not all) people who work in fashion believe they are doing God’s work. They think that by designing shoes and purses that their chosen career rivals surgeons who remove malignant tumors from cancer patients. I bet if you surveyed ten cancer patients they would probably vote for the surgeon as having more important role.
The editor and chief of Vogue Anna Wintour is legendary for her diva (there was another word I wanted to use that begins with a C…you can figure it out)like behavior. Editor please! In spite of your self-important view, you’re no more important to the planet than Rob Schneider. I am sure when fashion week rolls around you feel like a big deal, and to your staff of servants in your Hampton’s estate you are the center of the universe, but lady you and I breathe the same exact air. Can you see my disdain with Vogue and the fashion industry itself? Guess I’m not getting a job writing for Conde Nast any time soon. I’m okay with it, I will keep my soul.
The other critic of Gabby is Howard Stern. I am not a fan of Stern. I just plain don’t find him funny. This has nothing to do with his raunchiness either. I am a Sirius subscriber, but you never see me tuning in to Howard 100. I will say that channel 197 The Virus is on my presets. I laugh my ass off every time I listen to Opie and Anthony. They’re just funnier and edgier. They also seem to understand that what they are doing is for an audience and not some self indulgent exercise in ego stroking.
I will never deny Stern’s legacy. He was at one time cutting edge and relevant. His wit and antics were a machete that cut through a sea of boredom and fake politically correctness for the sake of preserving sponsors. He set the bar really high and I feel like he might have been his own worst enemy. It’s hard to live up to the image he created. As time went on he got complacent and lazy. The last time I seriously listened to him, he was bitching because he didn’t like the limo his driver picked out for him. Are you serious? Are you that out of touch with your listeners? You have your fanboys who eat shit like this up, but the average listener does not want to hear about your model wife, Hampton’s mansion and how your chauffeur is an asshole.
It’s hard to defend the positions of two entities you have a strong dislike of, but I’ll do my best. In order to write this entry I shelled out the $4.99 and watched Precious on pay-per-view. It wasn’t a movie that I was interested to see, as I have a hard time relating to urban literature sometimes. I’m down with a lot of stuff in the hood, but Zane and other urban authors don’t speak to me. It’s probably because most of the work is geared towards women. So I did not read the book Push. Besides, people who use one name like Sapphire and don’t have the name recognition annoy the piss out of me. Stop trying to create a persona, you’re a writer not a pop singer.
So I sat through a viewing of Precious. I thought the film was good, I’m not sure if it was worthy of a best picture nomination, but I guess that it was a symptom of the expansion to ten. I have some insider info that if there were eleven nominees that GI Joe:The Rise of Cobra would have been it…and if it weren’t for politics, it surely would have won. Seriously though, I did like the acting in Precious. It was good. Gabby Sidibe proved she could play ghetto, and Monique made me want to throw my television down a flight of stairs just like in the movie every time she appeared on the screen. I can’t stand her to begin with, and she made me hate and respect her at the same time. That’s a pretty strong indication of the performance when you can stir up hatred but still garner respect at your craft. As I write this entry, Monique’s talk show (if you can call it that) is on my television. It might be one of the most amateur productions on any network, ever. And I am not referring to the people behind the scenes. I am addressing the people in front of the camera. But she’s sassy so I guess you have to listen to her.
These two women became their characters. I can’t say any more than any other film critic has already stated. I can imagine to channel these characters could not have been easy. It has to put a black mark on your psyche to be able to live in the darkness that the mother and daughter characters existed in. It could have been easy to take these roles and made them comedic, as the subject matter defies what a rational person would consider natural human behavior(I challenge you to find another species on this planet that would treat their offspring in that manner) , but neither woman fell into that trap. If it were me and I had that kind of talent, then I know I’d need some therapy to recover from the experience. But I ask the question, do we have to reward these woman for the rest of their lives for one role? Unless they perform in their next respective projects they should be treated like every other actor who faded into obscurity.
Should Gabby be on the cover of Vogue…HELL NO! I recently posted as my Facebook Status, “Are we really shocked that Gabourey Sidibe will never appear on the cover of Vogue?” It was more of a commentary on what a shallow bunch of douche bags Vogue was as opposed to anything regarding Gabby’s weight or appearance. I received a comment from a person who I went to grammar school. She wanted to know why Vogue couldn’t do something different and put Gabby in their magazine that the situation as they are creating it sends a bad message to women everywhere. I don’t disagree with her, but Vogue was built on a being vanity elitist. Gabby obviously has inner beauty, but that’s not what Vogue is about. The reality is though that she does not deserve to be worshiped as an object of physical beauty. Vogue does promote unhealthy physical standards for women, but then again so does Gabby. The woman is morbidly obese (my wife the doctor said so, so I am not just throwing the phrase around) and women should not aspire to look like her. You can figure out for yourself what being that fat can do to a human body, I don’t need to give you a lesson in health. I will never have a body like somebody who graces the cover of Muscle and Fitness or even Sports Illustrated (unless they feature a 13 year old girls softball team) no matter how much I lift weights and eat right. I am just not genetically made up for that. That’s just life, but it sends the same message as Vogue.
These magazines make their living on selling a certain image of beauty and shouldn’t have to change. Hollywood and Madison Ave know that sex appeal sell. Ask yourself who would you rather see in a steamy love scene Gerard Butler and Jennifer Aniston or Kirstie Alley and John Goodman? A friend of mine told me the easiest way to not be racist is to back up your views with unbiased facts. This entry is not so much about race as it is about human nature. Recently Arizona State University released a study that said when companies use regular people in their advertising campaigns that the results were not as positive as when they used models and people based solely on their appearance. When Dove used “real women” the campaign drew raves, but the fact was that it actually hurt sales. People develop lower self esteem by looking at plus sized models compared skinnier ones.
Recently when I was watching The View (it’s okay call me a bitch) and Joy said that writers will now have to keep Gabby in mind when creating roles, and I agreed. Much like the clothes she has custom made for her, roles will have to be specifically written with her in mind. If I look at it from the other side of the coin, I can’t see her being that much of a box office draw where people are going to pay $12 to see projects where she is the centerpiece on a consistent basis. People watch movies for the escapism. They want to live vicariously through the characters they see on the screen for the most part. Sometimes we like to take a masochistic journey through films like Precious. But other times we want to do our best to identify with the ultra dreamy Robert Pattinson. Do you really want to repeatedly take the voyage as somebody you can see every day on the 2 train?
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